While they helped define pop music, The Lads equally peerless in personal bitterness, it seems. Without a doubt, it is a difficult account to take in, and made doubly so if you have a personal music or otherwise stake with the group. Each business loss, substance problem, or slight like a train-wreck happening in slow-motion.
The oft-talked about reunion millions fans and promoters wanted and prayed for, seemed to drive them further apart and was its own sick joke, in retrospect. Never maudlin or histrionic, but that only made the journey for the group and the reader harder to dismiss. Let alone, erase from memory. Being on the other side of it, back then as a high school teen, and now at the same age Paul McCartney wrote about, it carries a sad symmetry.
As I suspected it would back in February Each pilgrimage ultimately worth it, even if the resulting twinge that accompanied both left the music, and heart, aching.
- You Never Give Me Money - the Battle for the Soul of the Beatles by Peter Doggett: review.
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You Never Give Me Your Money
Thank you very kindly, John. I can see why it took so long, mate. Kind of a Beatles fan penance, really. I prescribe immersing yourself in the White Album as antidote. Brand new: lowest price The lowest-priced, brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable.
ISBN: Author: Peter Doggett. From court battles to chart success, the best of rock'n'roll writers, Peter Doggett traces the untold story of a group and a legacy that will never be forgotten. Read full description.
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Even those who 'were where it was at' have no reliability after decades of deterioration of the neurology and the brain. Historical methods offer solutions to overcome some of these problems with memories. What would work though is for interviewer Mark Lewisohn to sit down with interviewee e. Paul a couple of times and together review documents, audio or video snippets from the past, which are presented by interviewer, with expertise and an empathic approach, to activate access to memories the subjects would not be able to recall without proper feeding and questioning.
It is about time the archives of the main players are offered to parties who are able and willing to be conservator and keeper of the legacy. About a month ago I wrote about the idea of giving the relevant Beatles' archives a safe public space with proper curation in broader strokes.
The Bodley Head. A page-by-page guide to becoming an expert on the Fab Four. Pitchfork, May 23 rd The Daily Telegraph, September 12 th Beatleness, fans steal - Beatles archives in need of a 'home'. On 'The Beatles review of History', February 28th The Beatles Review of History.
We should trust eyewitness accounts unless if we have evidence to suggest otherwise, even if the eyewitness is someone like Geoff Emmerick. The arguments point in another direction. Don't believe witnesses, only as indication for anything that is prone to interpreation.
Eye witness account gains reliability if it is supported by verifiable evidence, documents, photo's etc. Doggett's argument is the same as Lewisohn makes, and is confirmed by science: old minds have distorted memories. Although most photographers are unwilling to present their work as truth Lewisohn doesn't need to interview McCartney or Ringo, except for when they would be willing to discuss evidence, documents, photographs, etc. Mark Lewisohn isn't an eyewitness but rather someone who was fortunate enough to hear the original multitracks so memory doesn't matter in this regard since it's likely he was writing notes as he listened to each individual track which formed the basis for his book The Beatles Recording Sessions.
Lewisohn is reliable because he established himself as a relentlessly thorough researcher who prides himself on completeness and accuracy. Many many people have heard the original multitracks. Dark Overlord said Mark Lewisohn isn't an eyewitness but rather someone who was fortunate enough to hear the original multitracks so memory doesn't matter in this regard since it's likely he was writing notes as he listened to each individual track which formed the basis for his book The Beatles Recording Sessions. Well, Lewisohn himself is more modest, he recently said he never claimed he listened to all individual tracks I can only hope he verifies the documentation with historical methods.
The problem I have with him is that in the book Lewisohn uses conversations that people have told others. Lewisohn considers this methodologically proficient. It is flawed to use conversations from memory in quotes in biographies unless recordings and notes exist. Should we really keep referring to The Beatles Recording Sessions?
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